
My main road
portrait of me by Sumyko
À bout de souffle (Breathless) 1960 dir. Jean-Luc Godard

from the new yorkers profile on springsteen
[Text Image Description: Thousands of fans, many of whom had been waiting outside since morning, were allowed to enter the stadium grounds at six o’clock for a show that would not begin until ten. I noticed a few young Spaniards carrying a sign, in English, reading, “Bruce, Thanks For Making Our Lives Better.” I tried to imagine a sign like that for—whom? Lou Reed? AC/DC? Bon Jovi? (”Richie Sambora, Thanks for making our lives better.” Doubtful.) The ultra-sincere interchange between Springsteen and his fans, which looks treacly to the uninitiated and the uninterested, is what distinguishes him and his performances. Forty years on, and an hour before going onstage yet again, he was trying to make sense of that transaction.
“You are isolated, yet you desire to talk to somebody,” Springsteen said. “You are very disempowered, so you seek impact, recognition that you are alive and that you exist. We hope to send people out of the building we play in with a slightly more enhanced sense of what their options might be, emotionally, maybe communally. You empower them a little bit, they empower you. It’s all a battle against the futility and the existential loneliness! It may be that we are all huddled together around the fire and trying to fight off that sense of the inevitable. That’s what we do for one another.” End ID.]
faso:
ASSC SS21 “OVERTHINKING” CAMPAIGN - MY DREAM FAKE DOCUMENTARY PHOTOBOOK SHOOT. SAME TEAM AS ALWAYS. LIAM MACRAE ON THE LENS.
THE ODD COUPLE (1968)
dir. Gene Saks

A wave of rock shaped by wind and rain towers above a plain in Western Australia, September 1963.
Photograph by Robert B. Goodman, National Geographic
When the Tenth Month Comes | 1984 | Đặng Nhật Minh